***Our plays are loosely based on their historical counterparts.***

If you would like more information specifically about producing one of our plays, please email 365womenayear@gmail.com with the historical woman and the playwright in the subject line or the body of the email.


Mabel Loomis Todd “The Women of Amherst” (109 pages) Playwright Tom Noe (2018)

Mabel Dodge Luhan- “Mabel”(10 pages)/Playwright: Tina Esper (2017)

Mabel Loomis Todd-“Tell It Slant”(21 pgs)/playwright Marilyn Clarke (2016)

Mabel Walker Willebrandt-“Goodnight, Washington” (5 pages)/Playwright: Patricia Middleton (2015)

Madame Jeanne Campan – “Madame Campan’s Academy” (96 pages)/ Playwright: Lynn Marie Macy (2018)

Madame Heger- “Charlotte’s Letters” (95 pages)/Playwright: Jennifer O’Grady (2016)

Madeleine L’Engle – “On Water” (three pages)/Playwright: Charissa Menefee (2018)

Madonna- “The Allegory of Love”(16 pages)/Playwright: Abby Rosebrock (2014)

Madres de Mayo/ “Madres de Mayo” (26 pages.) /Playwright: Nadia Rosero (2018.) 

Mae C. Jemison- “Science of Motion Sickness”(11 pages)/Playwright: Asia Nichols  (2015)

Mae West- “Between Us Gals”(7 pages)/Playwright: Sue Yocum (2018)

Magdalena Abakanowicz-“Fourteen New Brilliant Colors of Magdalena Abakanowicz” (19 pages)/Playwright: Merridawn Duckler (2017)

Maggie Lena Walker- “BELONGING” (17 pages)/Playwright: Rachel Dickson (2018)

Mali Spighel “Founder; Philanthropist”(8 pages)/Playwright: Judy Meiksin (2017)

Malwida von Meysenbug – “All Too Human” (76 pages)/playwright: Rosemary Zibart (2016)

Mama Bett Hemings- “Bett Hemings” (19 pages)/Playwright: Elsa Real  (2014)

Mami Wata “Wata Daughters” (9 pages)/Playwright: Asia Nichols (2017)

Mamie Smith- “BELONGING” (17 pages)/Playwright: Rachel Dickson (2018)/Mamie Smith- “Shoutin’ Blues” (40 pages)/Playwright: Kim Louise Whiteside (2018)

Mamie ‘Peanut’ Johnson-“Over the Line” (7 pages)/Playwright: Cindy Cooper (2016)

Mananowe- “Who Was Charles Oakes Ermatinger?”(8 pages)/Playwright: Wendy Hamilton (2015)

Manuelita Saenz- “Libertadora”(25 pages)/Playwright: Diana Burbano  (2014)

Mao Hengfeng- ”Disturbing Social Order” (7 pages)/Playwright: Rachel Baird Rudisill (2015)

Marcia Lewinsky- “Marvel(ous) Monica” (23 pages)/Playwright: Sarah Tuft (2015)

Marie Tussaud – “Faces of the Revolution” (20 pages)/Playwright: Christina Hamlett (2019)

Margaret of Anjou – “Poor Painted Queen” (67 pages)/Playwright: Catriona Scott (2018)

Margaret Cavendish, Duchess of Newcastle-upon-Tyne (16 pages)/Playwright: DS Magid (2016)

Margaret Clitherow- “The Trial of Margaret Clitherow”(23 pages)/Playwright: Judy Meiksin (2016)

Margaret Elphinstone de Flahaut- “Happiness in Palaces” (39 pages)/Playwright: Christine Caccipuoti (2017)

Margaret Bourke-White – “That Sunny April Afternoon” (10 pages)/Playwright: Paul Calandrino (2018)

Margaret of Provence- “Margaret and Beatrice” (3W, 7 pages)/Playwright: Jess Eisenberg (2018)

Margaret Askew Fell Fox- “Battleground Negative” (3 pages)/Playwright: Jessie Salsbury (2016)

Margaret E. Knight- “Margaret Knight’s Battle Rap; 1871” (10 pages)/Playwright: Anne Flanagan (2016)

Margaret Lyon- “A Colonial Devotion” (76 pages)/ Playwright: Susan Battye (2018)

Margaret (Maggie”) Maher-Emilys Room (17 pages)/Playwright: Jennifer OGrady (2018)

Margaret More Roper- “Dead to Rites” (25 pages)/Playwright: Sheila Rinear  (2014)

Margaret Sanger- “The Pill”(8 pages)/Playwright: Jenny Seidelman  (2014)/Margaret Sanger: A Woman Rebel”(52 pages)/Playwright: Jessica Feder-Birnbaum (2018)/Margaret Sanger- “Between Us Gals”(7 pages)/Playwright: Sue Yocum (2018)

Margaret Chase Smith–“Mrs. Smith Goes to Washington” (15 pages)/Playwright Linda Britt (2015)

Margaret Thatcher- “Margaret Thatcher Changes the World” (25 pages)/Playwright: Rex McGregor (2016)

Margaretta Forten: Sarah’s Poem (ten pages)/Playwright: Charissa Menefee (2016)

Margery Jourdemayne – “Queen, Next Westminster”(10 pages)/Connie Bennett (2016)

Margery Kempe- “The Visions of Margery Kempe” (89 pages)/Playwright: Rachael Goddard-Rebstein (2018)

Margot Fonteyn-“Forsaking all Others”(55 pages)/Playwright: Heather Dunmore(2016)

Margot Wölk- “The Food Tasters of the Wolf’s Lair”(Die Vorkoster der Wolfsschanze) (4 pages)/Playwright: Jaclyn Perlmutter (2015)

Marguerite Duras/ Duras (15 pages)/ Playwright Eva Hibernia (2016)

MARIA OF ALANIA,  “Anna K. and the Alexiad” (57 pages)  Playwright: Toby Engelberg (2016)

MARIA OF BULGARIA,  “Anna K. and the Alexiad” (57 pages)  Playwright: Toby Engelberg (2016)

Maria the Jewess – “Alchemy”(11 pages)/Playwright: David Marrs (2016)

Maria Blanchard- “La Petite Blanchard” (15 pages)/Playwright: Inge Martin San Juan  (2014)

Maria Luisa Bombal- “Los Ultimas Dias” (27 pages)/Playwright: Begoña Ugalde (2014)

Maria Estuardo (Queen of Scots)- “Ternura Negra” (17 pages)/Playwright: Denise Despeyroux  (2014)

María Félix “María Untamed” (9 pages)/Playwright: Dorothy Velasco (2019)

Maria Gebbie- “A Colonial Devotion” (76 pages)/ Playwright: Susan Battye (2018)

María Rosa Luna Henson or “Lola Rosa” – “Comfort Women” (79 pages)/Playwright: Lucy Chau Lai-Tuen (2018)

Maria Elena Milagro de Hoyos – “Hear Me: The Horrible Tale of Maria Elena Milagro de Hoyos”(49 pages)/Playwright: Julie Lyn Barber (2018)

Maria Sibylla Merian- “Maria Sibylla Merian Draws Jasmine”(28 pages)/Playwright: Arlene Hutton (2015)

Maria Meyn- “The Past is Still Ahead” (55 pages)/Playwright: Sophia Romma (2014)

Maria Mitchell- “Absolute Magnitude”(60 pages)/Playwright: Melody Cooper  (2014)/Maria Mitchell- “Miss Mitchell’s Comet”(43 pages)/Playwright: Dwayne Yancey (2018)

Maria Montessori—“Maria” (10 pages) Playwright: Susan Shafer (2016)

Maria Nikolaievna -“Tchekov at The House of Special Purpose” (56 pages) Playwright:R.Johns (2017)

Maria Tallchief- “Firebird” (30 pages)/Playwright: Merridawn Duckler  (2014)

Marian Anderson- “Beauford Delaney Paints Marian Anderson” (22 pages)/Playwright: Arden Kass  (2014)

Mariana la Loca – “La Profetisa” (38 pages)/Playwright Beth Kander (2016)        

Mariah Vance- “The Baptism of Abraham Lincoln”(16 pages)/Playwright: Elizabeth Orndorff  (2014)

Marie Antoinette- “The Widow Capet”(12 pages)/Playwright: Susan Apker  (2014)/Marie-Antoinette/ “The Chamber of Beheaded Queens” (42 pages)/ Playwright: KT Parker (2017)

Marie de Chevreuse- “One Night in the Garden” (65 pages)/Playwright: Carol M. Rice (2014)

Marie Christine Chilver (aka Agent Fifi) – “The Honeytrap” (8 pages) / Playwright: Carol M. Rice (2018)

Marie Colvin-  “Badass” (12 pp.)/ Playwright: Glenda Frank (2017)

Marie Curie – “Burn Out” (5 pages)/Playwright: Naomi Elster (2016)

Marie Catherine Laveau-   “Vodou Queen of New Orleans,” (38 pages)/Playwright: Carolyn Nur Wistrand (2017)

Marie Danforth Page-“The Muses” (42 pages)/Playwright: Rena Tobey (2018)

Marie Bjelke Petersen- “Hollywood in Tasmania” ( 30 pages) Playwright: Laurel A. Lockhart (2017)

Marie-Anne Paulze Lavoisier – “Mother of Chemistry”(9 pages)/Playwright: Rex McGregor (2017)

Marie-Angelique Memmie LeBlar- “Beautiful Savage”(44 pages)/Playwright: Kathleen McDonnell  (2014)

Marie-Anne Lenormand – “Mother of Chemistry”(9 pages)/Playwright: Rex McGregor (2017)

Marie Villers- “The Mystery of Young Woman Drawing”(15 pages,Musical)/Playwright: Deborah Savadge/Sheilah Rae  (2014)

Marie-Therese Walter – GIRL BEFORE A MIRROR (11 pages)/Playwright: Martha Patterson (2019)

Marilyn Monroe- “Something’s Got to Give”(27 pages)/Playwright: Sandra de Helen (2014)/Marilyn Monroe- “Marilyn Monroe in the Desert” (83 pages)/Playwright: Barbara Blatner (2018)

Marina Tsvetaeva- “The Past is Still Ahead”(50 pages)/Playwright: Sophia Romma (2014)

Marion Davies-”Not So Dumb” (12 pages)/Playwright: Lucy Wang (2015)

Marion Harris- “Paradise Blues” (18 pages)/Playwright: Julie Lyn Barber (2016)

Marion Pritchard – “Huiza Netherlands 1942″(8 Pages)/Playwright: Jessie Salsbury (2019)

Marjorie Stoneman Douglas- “Will You Dance On?”(2 pages)/Playwright: Robin Rice (2014)/Marjory Stoneman Douglas – “Walking Florida Now” (8 pages)/Playwright: Connie Bennett (2018)/Marjory Stoneman Douglas/ “School The Unknown” (10 pages)/Playwright: Cindy Cooper (2018)

Marlene Dietrich- “Allein in Einer Grossen Stadt (Alone in a Big City)”(5 pages)/Playwright: Talia Pura (2016)

Marsha P Johnson- “Pay It No Mind” (13 pages)/Playwright: Monique Hebert(2017)

Martha of Bethany (sister of Lazarus)  – “MARY – A MUSICAL” (79 pages)/Playwright: Gayla D. Morgan and Jean Mornard (2016)

Marthe Cohn “My World War Too” (75 pages or 95 pages)/Playwright: Susan Hansell (2017)

Martha “Patsy” Henry “Liberty” (96 pages)/ Playwright: Sarah Lawrence (2018)

Martha Stewart- “Save the Turkey!”(9 pages)/Playwright: Robin Rice (2014)

Martha Washington-“Absconded and Much Freckled” (24 pages)/Playwright: Donna Latham (2015)

Martine Rothblatt- “The Autobiography of Martine Rothblatt”(11 pages)/Playwright: Kat Mustatea (2015)

Marty Mann – “Easter Sunday” (40 pages)/Playwright: Carolyn Gage (2018)

Maruja Mallo- “O Retrato Da Sabila” (8 pages)/Playwright: Vanesa Sotelo  (2014)

Mary of the United Kingdom (Princess) “The Subject” (84 pages)/Playwright: Carolyn Kras (2017)

Mary *Real Name Unknown* “Elizabeth” (65 pages)/Playwright: Sara Lyons (2017)

Mary Haskell- “The Higher Love”(50 pages)/Playwright: Germaine Shames (2019)

Mary- “In Passing” (11 pages)/Playwright: Lisa Nicoll  (2014)

Mary I- “The King’s Legacy”(110 pages)/Playwright: Michael Radi (2018)

Mary, Lady Bankes née Hawtry/ “Brave Dame Mary” (4 pages so far, more to come)/ Playwright: KT Parker (2016)

Mary Louise Smith “Winning” (10 pages)/Playwright: Jennifer O’Grady (2019)

Mary Mother of Jesus – “MARY – A MUSICAL” (79 pages)/Playwright: Gayla D. Morgan and Jean Mornard (2016)

Mary of Bethany (sister of Lazarus) – “MARY – A MUSICAL” (79 pages)/Playwright: Gayla D. Morgan and Jean Mornard (2016)

Mary of Guelders- “Ravenscraig”(25 pages)/Playwright: Catriona Scott (2017)

Mary Austin – The Stir (10 pages)/Playwright:  Evelyn Jean Pine (2017)

Mary Kay Ash- “We Did it For You”(34 pages,Musical)/Playwright: Thea Iberall  (2014)

Mary Astor-“Mary’s Diaries” (12 pages)/Playwright: Susan Shafer (2017)

Mary Barnes- “Panic in Connecticut; Accused Witches Have Their Say” (11 pages)/Playwright: Virginia Woolf  (2014)

Mary Bensell – “Not Like the Others”(2 pages)/Connie Bennett (2016)

Mary McLeod Bethune – “Lunch for the Queen” (9 pages)/Playwright: Lawrence Kessenich (2015)

Mary Boleyn- “The King’s Legacy”(110 pages)/Playwright: Michael Radi (2018)

Mary Bowser- “Mason-Dixon”/Playwright: Carolyn Gage  (2014)

Mary Marvin Breckinridge “Marvin” (10 pages)/Playwright: Angelé Sionna (2016)

Mary Oliver -“This One Wild And Precious Life” (58 pages)/Playwright: Micki Shelton (2019)

Mary Whiton Calkins “In Your Dreams” (2 pages)/Playwright: Sarah Tuft (2016)

Mary Ann Shadd Cary–“Figures of Speech” (14 pages)/Playwright: Charissa Menefee (2017)

Mary Cassatt- ”No Rules” (12 pages)/Playwright: Patricia Wakely Wolf (2015)

Mary Elizabeth Jane Colter- “Angels and Hermits and Phantoms” (10 pages)/Playwright: Emily Ball Cicchini  (2014)/Mary Jane Elizabeth Colter -“Fred and Mary: An Unconventional Romance” (102 pages)/Playwright: Micki Shelton (2018)/Mary Jane Elizabeth Colter – “La Posada”(95 pages)/Playwright: Micki Shelton (2018)

Mary Ann Cotton – “Cottonmouth” (7 pages)/Playwright: Lindsay Adams (2017)

Mary Anne Duignan aka Chicago May“Changed Utterly”(54pp)/Playwright: Joan Bryans (2018)

Mary Dyer – “The Joy”(76 pages)/Playwright: Jeanmarie (Simpson) Bishop (2017)

Mary Elizabeth Fairless – “The Past Past” (16 Pages)/Playwright:Mandy Carpenter (2016)

Mary Fields- “Stagecoach Mary (or “Fuck You All”) (10 pages)/Playwright: Melody Cooper  (2014)

Mary Ann Girling – “Children of God”(62 pages)/Playwright: Benjamin Peel (2019)

Mary Katharine Goddard – “What’s In A Name?” (20 pages)/Playwright: Kay Ellen Bullard (2017)

Mary Hamilton- “More than Need”(x pages)/Playwright: Jenna Schlags (2017)

Mary, Lady Bankes née Hawtry/ “Brave Dame Mary” (4 pages so far, more to come)/ Playwright: KT Parker (2016)

Mary Sydney Herbert- “A Rose By Any Other Name” (45 Pages)/Playwright: Lou Beckett  (2014)

Mary Jemison- “Two Falling Voices”(51 pages)/Playwright: Teresa Stankiewicz  (2014)

Mary John Sr- “When Women Cry Bloody Murder” (7 pages)/Playwright: Sheree Bradford-Lea (2015)

Mary Lou Kownacki – “Unter Investigation”  (10 pages)/Playwright: Nancy Hopps (2017)

Mary Kubicek- “HeLa” (25 pages)/Playwright: Jessie Salsbury (2014)

Mary Leakey-”In Her Footprints”(10 pages)/Playwright: Connie Bennett (2015)

Mary Todd Lincoln- “Lunatic: The Haunted Widow Lincoln”(53 pages)/Playwright: Donna Latham  (2014)

Mary Magdalene – “MARY – A MUSICAL” (79 pages)/Playwright: Gayla D. Morgan and Jean Mornard (2016)

Mary Mallon- “Cookin’ With Typhoid Mary”(40 pages)/Playwright: Carolyn Gage  (2014)

Mary McGee-  Blood Sisters”(15 pages)/Playwright: Robin Rice (2015)

Mary McIlraith-“A Colonial Devotion” (76 pages)/ Playwright: Susan Battye (2018)

Mary Millicent Garretson Miller “The Lady Steamboatman”(7 pages)/Playwright:Nancy Gall-Clayton (2018)

Mary Young Pickersgill- “We Did it For You”(34 pages,Musical)/Playwright: Thea Iberall  (2014)

Mary Pickford- “President Charles Evans Hughes”(8 pages)/Playwright: Rex McGregor (2017)

Mary Read- “The Trial of Mary Reed” (12 pages)/Playwright: Joan Kane  (2014)/Mary Read- “Mates”(12 pages)/Playwright: Sue Yocum (2018)

Mary Rowlandson- “Succotash”(15 pages)/Playwright: Lydia Williams (2017)

Mary Shelley- “Making Frankenstein”(10 pages)/Playwright: Natalie Osborne  (2014)

Mary Kingsbury Simkhovitch- “Sunshine in Every Window”(29 pages)/Playwright: Rex McGregor (2017)

Mary Rozet Smith- “Jane Addams and the Devil Baby” (12 pages)/Playwright: Carolyn Gage (2014)

Mary Staples- “Panic in Connecticut; Accused Witches Have Their Say” (11 pages)/Playwright: Virginia Woolf  (2014)

Mary Stuart/ “The Chamber of Beheaded Queens” (42 pages)/ Playwright: KT Parker (2017)

Mary Tape- “Unbinding Our Lives”(15 pages)/Playwright: Geralyn “G.L.” Horton (2015)

Mary Edwards Walker-“I’m Wearing My Own Clothes”(76pages)/Playwright: Nancy Gall-Clayton (2017)

Mary Ware Dennett-“The Road to Woman’s Suffrage” (30 pages)/Playwright: Lisa K. Winkler (2019)

Mary Williams -“A Colonial Devotion” (76 pages)/ Playwright: Susan Battye (2018)

Mary Lou Williams- “The Blindfold Test”(17 pages)/Playwright: Mora V. Harris (2015)

Mary Wollstonecraft- “We Did it For You”(34 pages,Musical)/Playwright: Thea Iberall (2014)

Mary Wraight- “A Colonial Devotion” (76 pages)/ Playwright: Susan Battye (2018)

Marzieh- “Marizeh” (3 page monologue) Playwright:J.Lois Diamond (2016)

Mata Hari- “Mata Hari:eroticism & espionage” (60 pages)/Playwright: Talia Pura  (2014)/Mata Hari  — “Mata H.” (27 pages / Playwright: Angela J. Davis (2018)

Matilda – Empress, Queen of England usurped by her cousin Stephen (70 pages) /Playwright: Lucy Flannery [2018]

Matilda Joslyn Gage- “The Gage & Mr. Comstock”(10 pages)/Playwright: Carolyn Gage (2014)

Matilda Hays- “Oh, to Be Lesbians in the 19th Century”/Playwright: Jess Eisenberg (2014)

Maud Karpeles- “I’ll Sing On” (17 pages)/Playwright: Grace Ellis (2014)

Maud le Vavasour- “Maid Maud”(10 pages)/Connie Bennett (2016)

Maxine Hong Kingston- “Two Women” (10 pages)/Playwright: Kaela Garvin  (2014)

May Sarton- “May SartonDreams Deep” (10 pages)/Playwright: Deborah Magid  (2014)

May Sinclair- “The Divine Fire” (31 pages)/Playwright:  Leslie McMurtry (2016)

Medea–“Medea’s Ghost”(73 pages)/Playwright: Micki Shelton (2018)/Medea – “ The More Things Stay the Same” (7 pages) / Playwright: DS Magid (2018)

Melania Trump- “The Tower”(8 pages)/Playwright: Diana Burbano (2017)

Melba Liston- “A Life’s Work”(14 pages)/Playwright: Jennifer L. Hayes (2015)

Melba Roy Mouton- “Absolute Magnitude”(60 pages)/Playwright: Melody Cooper (2014)

Memphis Minnie – “Guitar Lady” (7 pages)/Playwright: Karen Callwood (2017)

Mercedes Jellinek “The Best of Nothing”/Playwright: Karen Jeynes (2014)

Mercedes Cordoba Carles Matter: LITTLE IMAGES/(89 pp.)/ Playwright:
Glenda Frank (2017)

Mercy Brown- “MERCY” (121 pages)/Playwright: J.S. Puller (2017)

Mercy Disbrough- “Panic in Connecticut; Accused Witches Have Their Say” (11 pages)/Playwright: Virginia Woolf  (2014)

Mercy Otis Warren – “The Fairer Sex: The Life, Times and Plays of Mercy Otis Warren” (95 pages)/Playwright: Stephen Cedars (2017)

Merinedd ferch Gruffudd , Princess- “Gwenllian, Part I”(57 pages)/Playwright: Tierra Bonser (2015)

Merle Oberon- “You Need Me to Be” (4 pages)/Playwright: Jess Eisenberg (2016)

Meta Vaux Warrick Fuller- “No Title” (38 pages)/Playwright: Michael Angel Johnson  (2014)

MFK Fisher – “ Sea Change” (1 page) / Playwright: DS Magid (2018)

Michelle Obama- “Tradition of the First Lady” (4 pages)/Playwright:Jessie Salsbury  (2014)

Mildred Bailey “At Home with Mrs. Swing”(14 pages)/Playwright: Dorothy Velasco (2015)

Mildred Dresselhaus- “Millie Dresselhaus: Beer Stew, Breaking Bonds”(7 pages)/Playwright: C.J. Ehrlich (2017)/Mildred Dresselhaus- “Moonshot”(24 pages)/Playwright: Judy Meiksin (2018)

Millicent Garrett Fawcett-“Law Makers” (9pages)/ Playwright: Danielle Wirsansky (2017)

Millie McKoy “Incredible Darlings” (7 pages)/Playwright: Asia Nichols (2016)

Ming-Na Wen-“Heart” (11 pages)/Playwright: Sarah Bewley  (2014)

Minnie Cox—“Return to Sender” (10 pages)/Playwright: Rita Anderson (2016)

Minnie Harvey Huckel-“Fred and Mary: An Unconventional Romance” (102 pages)/Playwright: Micki Shelton (2018)

Mirabi-   “MIRA: A Legend in Music and Dance” (70 pages) / Playwright: MJ Kami (2018)

Misty Copeland- “Mistyfied” (33 pages)/Playwright:  Lucy Wang (2016)

Molly Picon- “Mit a Fiddle in the Middle”(16 pages)/Playwright: C.J. Ehrlich (2016)

Moms Mabley-”Don’t Know No Jokes” (6 pages) Playwright: Annie Wood (2015)

Mona Lisa Giacondi- “The Sitting”(8 pages)/Playwright: Susan Apker  (2014)

Mo’ne Davis (11 pages) / Playwright: Carol M. Rice (2016)

Monica Lewinsky- “Marvel(ous) Monica” (23 pages)/Playwright: Sarah Tuft (2015)

Mother of disciple James*  – “MARY – A MUSICAL” (79 pages)/Playwright: Gayla D. Morgan and Jean Mornard (2016)

Mother Francesca Xavier Cabrini-“Mother Cabrini’s Mission to America” (14 pages)/ Playwright: Joan Albarella (2018)/Mother (Frances Xavier) Cabrini “Mother Cabrini Saint of the Immigrants” (7 pages) /Playwright: LuLu LoLo (2018)

Mother Amadeus Dunne-”My Recollect Time” (52 pages)/Playwright: Jamie Greenblatt(2015)

Mother Jones aka Mary Harris Jones-“An Apple for a Telegram” (9 pages)/Playwright: Samantha Vakiener (2015)

Murasaki Shikibu – “Genji/Murasaki” (60 pages) / Playwright: Darian Lindle (2016)

Muriel Lillie- “Mad Lady Peel: The Funniest Woman in the World” (46 pages)/Playwright Kirsten Van Ritzen (2013)

Myrtis- “Myrtis”(8 pages)/Playwright: Diana Burbano (2016)


Nadia Boulanger- “Le Grand Silence”(10 pages)/Playwright: Lily Meyer (2015)

Nadia Murad –  “Justice for Nadia” (12 pages)/Playwright: Lynda Crawford (2017)

Naishi- “The Color of This Flower”(56 pages)/Playwright: Velina Hasu Houston (2015)

Nakşidil Sultan- “Harem”( 78 pages)/Playwright: Jen Ferro (2017)

Nance O’Neill- “The Greatest Actress Who Ever Lived”(30 pages)/Playwright: Carolyn Gage  (2014)

Nancy Cunard-“NASTY: The Lives of Peggy Guggenheim,Annemarie Schwarzenbach and Nancy Cunard”(40pages)Playwright: Germaine Shames (2017)

Nancy Morgan Hart- “The Tale of Nancy Hart” (6 pages)/Playwright: Gyda Arber (2015)

Nancy Elizabeth Prophet- “Shadow”(10 pages)/Playwright: Michael angel Johnson (2015)

Nancy Lane Smith- “Familiar Stranger: Nancy Lane Smith” (21 pages)/Playwright: Lynda Crawford  (2014)

Nancy Roman- “Star Lady”(14 pages)/Playwright: J.Lois Diamond (2019)

Nancy Wake- “White Mouse” (17 pages)/Playwright: Danielle Wirsansky  (2014)/Nancy Wake- “Once A Spy”(96 pages)/Playwright: Rachel Bublitz (2018)

Natalia Levi Ginzberg “Parabola” (9 pages)/Playwright: Shellen Lubin (2016)

Natalia Peshkova- ”Heartbeats” (8 pages)/Playwright: Danielle Wirsansky (2015)

Natalia Ponce de Leòn – “Fénix”(3 pages)/Playwright: Diana Burbano (2017)

Natalia Revuelta- ”My Dearest Fidel, Forever Yours Naty” (1 page)/Playwright:Stephanie Swirsky (2015)

Natalie Clifford Barney- “Muse of the Violets”/Playwright: Jess Eisenberg  (2014)

Natalie Wood – “Best Actress 1962” (10 pages) / Playwright: Allie Costa (2016)

Natalya Meklin – “Taman” (78 pages)/Playwright: Marlo Kern

Natan- “Libertadoras” (25 pages)/Playwright: Diana Burbano  (2014)

NeNe Leakes – “NeNe Leakes: Special Edition” (5 pages)/Playwright: Nomfanelo Moloi (2017)

Nefertiti – “The Horizon of the Sun” / Playwright: Beatriz Cabur  (2014)

Nekojiru (Chiyomi Hashiguchi)- “where has all the cat soup gone: a monologue ”(3 pages)/Playwright: Emmy Kuperschmid (2017)

Nell Gwynne- “Nell!” (35 pages)/Playwright: by LA Green (2017)/Nell Gwyn – “Counting Cupids” (105 pages)/ Playwright: Nicole Heneveld (2018)

Nellie Bly: “Women of Unsound Mind” (94 pages/14 characters)/Playwright: Grace Ivana Carroll (2016)/Nellie Bly – “Above the Fold” (28 pages)/Playwright: Christina Hamlett (2018)

Nellie T. Bush- “Admiral of the Arizona Navy”(19 pages)/Playwright: James E. Burnside (2014)

Nellie McClung – “Not A “Nice” Woman”(14 pages)/Playwright: Catherine Frid (2017)

Nichelle Nichols- “A Human Interest Piece”(16 pages)/Playwright: Asia Nichols  (2015)

Nieves Fernandez- “Nieves and Senzina”(10 pages)/Playwright: Amanda Andrei (2016)

Nina Simone-“Hello Ocean” (21 pages) Playwright:J.Lois Diamond (2016)

Nina Ulyanenko – “Taman” (78 pages)/Playwright: Marlo Kern

Ninon de l’Enclos- “Irreconcilable Passions”(24 pages)/Playwright: Julie Lyn Barber (2017)

Nola Jane Gentry: “I’ll Sing On”/(17 pages)/Playwright: Grace Ellis (2014)

NORA BARNACLE JOYCE – James Joyce muse/Molly Bloom model (34 pages) Playwright: Jack Gilhooley (2017)

Norma Lee Dean – “Thistlepatch” (62 pages)/Playwright: Catherine Frid (2016)

Norma Millay –  “Jump the Bright Line: The Trial of Edna St. Vincent Millay” (101 pages)/ Playwright: Karen Ackerman (2018)

Norma Shearer- “Never Closer Than Three Feet/ (10 pages)/Lee Richard Lawing (2019)

Ntozake Shange- “Her Own Things”(5 pages)/Playwright: Amissa Miller (2015)

Queen Nyabinghi—“Inheritance” (23 pages)/Playwright: Kim Louise (2017)

Nzinga Mbande-”The Missing Chair” (5 pages)/Playwright: Eugenie Carabatsos(2015)


Octavia: “Triumvir” (7 pages)/ Playwright: Nicole Heneveld (2017)

Octavia Estelle Butler- “OCTAVIA”(27 pages)/Playwright: Holli Harms (2015) AND “How to Write a Science Fiction Story, by Octavia E. Butler” (23 pages)/Alyson Mead (2016)

Octaviana Trujillo- “Lady Chief 2000” (9 pages)/Playwright: Linda Evans  (2014)

Ola, Choctaw princess—“Return to Sender” (10 pages)/Playwright: Rita Anderson (2016)

Olga Spessitzeva – “Doppelganger” (8 pages)/Playwright: Christine Emmert (2018)

Dr. Olivia J.Hooker- “Olivia Makes Waves” (10 pages)/ Playwright: Nina Howes (2017)

Olivia Soulouque- ”Madame” (8 pages)/Playwright: Kendra Augustin (2015)

Olga of Kiev “Fuel for the Fire” (56 pgs) / Playwright: Elliot D Huxtable (2016)

Olga Watkins Gmoser- ”Proof of Influence” (5 pages)/Playwright: Patricia Watkins (2015)

Olga Romanova – “The Czar’s Daughters” (15 pages) / Playwright: Angela J. Davis (2017)

Olive Byrne – “Wonder Women” (25 pages) / Playwright: Ashley Lara (2016)

Olympe de Gouges: “Guillotined”(67 pages)/ Playwright: L.D. Goodisman (2019)

Olympia Brown- “Make My Match”(13 pages)/Playwright: Nancy West (2015)

Ona Judge-“Absconded and Much Freckled” (24 pages)/Playwright: Donna Latham (2015)

Ono No Komachi- “The Color of This Flower”(56 pages)/Playwright: Velina Hasu Houston (2015)

Ophelia DeVore “Opposing Ophelia” (23 pages)/Playwright: Deneen Reynolds-Knott (2016)

Oprah Winfrey- “Oprah”(5 pages)/Playwright: Karina Cochran (2015)


Paola Levi-Montalcini- “Lady of the Cells” (17 pages)/ Playwright:J.Lois Diamond (2018)

Parveen Shakir- “What Will Happen To The Flowers? Looking For Parveen”(18 pages)/Playwright: Melissa Nussbaum Freeman (2015)

Patricia Hill Collins – “What Does the Flag Mean to You?: A Lesson for Patricia Hill Collins:” (8 pages)/Playwright: Ivan Faute (2016)

Patricia Grimes- “But Elvis, We’re Dead”/Playwright: Jess Eisenberg  (2014)

Patsy Southgate- “The Plant in Your Life”(14 pages)/Playwright: Lylanne Musselman (2015)

Patti Smith- “Smith” (17 pages)/Playwright: Sarah Tuft (2015)

Patty Jenkins- “Angry Woman’s Audible Book Club”(5 pages)/Playwright: Jessie Salsbury (2018)

Paula Mondersohn-Becker- “Self-Portrait” (6 pages)/Playwright: Ian Low (2018)

Paula Hernandez-“La Doña of Santa Cruz”(8 pages)/Playwright: Melissa Nussbaum Freeman  (2014)

 Paula Snelling- “Lillian, Paula. Carson.” (3 characters, 85 pages)/Playwright: John Barrow (2017)

Paula Zahn-”The Nest” (13 pages)/Playwright: Robin Rice (2015)

Pauline Thompson- “Knowing Women” (66 pages)/Playwright: Suzanne Logan (2019)

Pauli Murray- “We Did it For You”(34 pages,Musical)/Playwright: Thea Iberall (2014)/Pauli Murray – “In Bed with Eleanor” (12 pages)/Playwright: Lolly Ward (2018)/Pauli Murray- “Tea With Elanor Roosevelt” (7 pages)/Playwright: Michael angel Johnson (2018)

Pauline Cushman – “In the Matter of Stickler v Legacy”(103 pages)/Playwright: Karen Rousso (2018)

Pearl Bailey – “Pearlie Mae” (10 pages)/Playwright: Sandra de Helen (2016)

Pearl Eileen Primus- “No Stranger to Fruit”(9 pages)/Playwright: Cesi Davidson (2015)

Peg Holmes – “In Bed with Eleanor” (12 pages)/Playwright: Lolly Ward (2018)

Peggy Guggenheim-“NASTY: The Lives of Peggy Guggenheim,Annemarie Schwarzenbach and Nancy Cunard”(40pages)Playwright: Germaine Shames (2017)

Peggy Lee-” Is That All There Is”(3 pages)/Playwright: Lylanne Musselman (2015)

Peggy Schuyler – “And Peggy” (8 pages) / Playwright: Allie Costa (2017)

Penthesileia- “Penthesileia” (49 pages)/Playwright: Robert F. Bradford (2015)

Petra Kelly- “Petra Kelly Speaks to Power” (111 pages)/Playwright: Daniel M. Kinch (2016)

Phillis Wheatley-”Phillis Wheatley: Twas Mercy Brought Me…” (40 pages)/Playwright: Paula J Sanders (2015)

Phoebe Cary- “Advanced Women” (87 pages)/ Playwright: Michele Aldin Kushner (2017)

Phoebe Francaus- “Missing Daughter”(12 pages)/Playwright: Michelle A. Patrick (2014)

Phoebe Pearl — “Shut Up And Dance” (22 pages)/Playwright: Barbara Blumenthal-Ehrlich  (2017)

Phyllis Schlafly – “Phyllis Schlafly And The Imaginary Television Show” (12 pages)/Playwright:  Jo Brisbane (2016)

Pingyang- “The Army of the Lady” (8 pages)/Natalie Osborne (2017)

Pocahontas-”Pocahontas”(7 pages)/Playwright:Pat Cheshire Jennings (2015)

Policarpa Salavarietta “Policarpa”(57 pages)/Playwright: Diana Burbano (2016)

Polly Bemis- “Unbinding Our Lives”(15 pages)/Playwright: Geralyn “G.L.” Horton (2015)

Poohlan Devi-  “Two to the Body”/Playwright: Sara Kaye Larson  (2014)

Porcia Catonis- “Classic Portia” (23 pages) Playwright: Mora V. Harris (2016)

Princess Iwa- ”In Her Voice” (11 pages)/Playwright: Ilana Turner (2015)

Princess Victoria Ka’iulani- ”Horizons” (10 pages)/Playwright: Trish Ayers (2015)

Pupul Jayakar- “Indira” ( 113 pages) Playwright: J.Lois Diamond (2016)

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